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I was gonna write a real post

But then I came across this video of Björk playing “Gobbledigook” with Sigur Rós at a concert in Iceland to raise awareness on the effects of aluminum smelting on Iceland’s topography.

[via Stereogum]

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lizistwentythree:

I hate Baton Rouge for a number of reasons, but one of the largest ones is our lack of any sort of real culture. Sure, they try to create some with little festivals here and there and other “fun” things, but we all know the truth. This town is stationed between two huge cultural draws, and therefore, gets nothing. (Although, we did get David Sedaris last week and the Hold Steady is coming in August)

Shreveport was godawful in my youth, but is completely thriving now. (Oliver Stone! in my hometown!) Example: The Robinson Film Center. There is an INDEPENDENT MOVIE THEATER in Shreveport, but the capitol doesn’t have one?! I know, Siegan was totally gross, but I loved it and they got some great movies. I’m sorry, but the Happening and other craptastic movies don’t look appealing to me. Neither does seeing a movie with approximately 1000848 teenagers.

All I want is an independent movie theater. Or at least show some of those movies at obscure times on the weekend… but please don’t show them at Rave (the worst named movie theater chain in the universe).

Funny you mention that.  Baton Rouge has a culture, it’s just a very, very strange one.  When our dads were at LSU, Baton Rouge was the place that bands stopped and played, not New Orleans and certainly not Lafayette.  If you leaf through old Gumbos from the mid-late 70s, you’ll see that Neil Young, Bruce Springsteen (HA!), Cat Stevens, Elton John, the Who, and many others played at the PMAC.  The Rolling Stones opened their 1977 World Tour at the PMAC.  These bands would routinely play BR and skip New Orleans, for whatever reason.

I think that things are shifting.  Fact of the matter is, Baton Rouge is ginormous now, thanks to Katrina.  BR also gets far more bands than New Orleans, at least in terms of the types of shows that we go to.  (THS aren’t playing New Orleans, for instance, and neither did Band of Horses.  There are more but I can’t think of them off the top of my head).  Spanish Moon is becoming a bigger draw because there are so many kids at LSU willing to go to a show than there are in New Orleans, which has sorta always been the case but people are finally starting to admit it and book accordingly.

In terms of film, the Union Theatre used to book indie films.  I seem to remember that, at least, from when I was a kid.  Obviously that’s not happening any more, but it was there.

I think Baton Rouge is in the middle of a change.  I think it’s realizing the potential that it has to become some place like Colombus, OH, which is a college town (home to the team that LOST the National Championship last year).  Colombus is also the biggest city in Ohio (bigger than Cleveland, shockingly) and gets far more shows than Cleveland or Cincinatti.  Obviously it’s no cultural mecca (like New Orleans or Lafayette, which by virtue of their respective cultures are so unique that people will come from across the world to visit; true, people actually travel to Lafayette), but  Baton Rouge can very easily become a hip college town in the vein of Colombus, Lawrence, KS, etc.  All it takes is people willing to take the action, to find the people doing weird things around the city, to bring in films, to start up journals, etc.

Don’t worry, Liz.

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The Who – a quick one live Rock&roll circus 1968 (via jks2) Maybe my vote for best live performance ever.  MAYBE.

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The below

The reason that I share the below is because I feel that I’m guilty of it more often than not.  Maybe I’m not guilty of doing it against, you know, Iranians or anything like that (though probably only because I encouter them less often), but…I think I am guilty of it when it comes to people from other parts of America.  I know that sounds funny, but I’m being absolutely serious.

I don’t know what’s caused it — the fact that I love love love Louisiana with all of my heart, the simple effects of being a football fan at the level that I am, or what — but I know that it’s true.  I feel superior to many people simply because of where I’m from.  I don’t let on, usually; I typically am polite and do my best to love them anyway.  But in my heart, I will always give preference to people from Louisiana.  Certainly this isn’t entirely bad (and it’s a good thing to be proud of where you’re from), but you can’t really count someone as better than yourself if you automatically think less of them when you hear that they’re from anywhere but Louisiana. Additionally, you can’t really claim to love justice (or Louisiana, for that matter) if you refuse to see the bad things that are done in your home.  I am guilty of both of those things, too.

Fact of the matter is, Louisiana is a great place among many great places, filled with great people among many great people.  It is my home and the place that I love more than any other, and I hope to one day die there (uh, way in the future).  But my love of home should never, ever supercede my ability to love people of all cultures.

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In the scriptures, I’m commanded to love a lot of things: my God, my neighbor, my wife, my enemy… I’m never commanded to love my country. In fact, if “loving my country” means that I demonstrate preference to someone based on their ethnicity, their nationality or, for instance, their loyalty to America’s foreign policies, I think I’ve pretty much undermined a very important aspect of Jesus’ mission on this earth—to make his temple a “house of prayer for all nations” and ours, to “make disciples of all nations.” And when I’m willing to value American lives over, say, Iranian lives or when I’m willing to promote America’s economic interests over the interests of the world’s poor simply because I’m American I may actually demonstrate my infidelity to the only Kingdom worthy of my allegiance.

In the scriptures, I’m commanded to love a lot of things: my God, my neighbor, my wife, my enemy… I’m never commanded to love my country. In fact, if “loving my country” means that I demonstrate preference to someone based on their ethnicity, their nationality or, for instance, their loyalty to America’s foreign policies, I think I’ve pretty much undermined a very important aspect of Jesus’ mission on this earth—to make his temple a “house of prayer for all nations” and ours, to “make disciples of all nations.” And when I’m willing to value American lives over, say, Iranian lives or when I’m willing to promote America’s economic interests over the interests of the world’s poor simply because I’m American I may actually demonstrate my infidelity to the only Kingdom worthy of my allegiance.
To Love One’s Country – Opus

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"It was a blockbuster summer"

lizistwentythree:

Dudes, I am fucking obsessed with this band.

Yup.  Just got my copy from iTunes.  Looking forward to spending the weekend in Finnland.  (Har har)

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Eek! Cultural differences

I’m becoming self-conscious of my y’alling.  The moment someone tells me that it’s cute is the moment that I move back to the South.  Luckily, it hasn’t happened yet.

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PS

What I’ve heard of the new Sigur Rós record also falls into the below category.  Yow.

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The name of the game

Here’s an excerpt from a press release we got this week.  (The name of the band is blocked out so as to not drag their name around; they’re actually pretty good).  While it sounds hyperbolic, it’s actually pretty par for the course; every last one of these things sounds like this:

“[Album Title] is one of those albums that each of us holds onto tightly.  They get moved from apartment to apartment through the years; they are songs on the radio that follow us from town to town.  They evoke waves of nostalgia and grow more poignant with each new bump along the road.”

Actually, that’s pretty tame, rhetorically speaking, but the message is the same as in every release we get: this record will make your life matter again.  John Darnielle from the Mountain Goats posted on his blog about this, about how press agents are forever trying to make their bands into something that they’re not.  And, yeah, I get it, that’s their job, but it gets more than a little grating to hear how This Band is going to Change the World Forever and Ever.

But I’m more interested in what it says about us, both rock writers and the people we’re writing for.  I’m not kidding when I say that every last presser I read says something about how this band is going to pop us out of our complacent bubbles.  PR people are smart; they know that those of us who listen to music all day long are stuffed and overfed, sitting on thrones of our own making, and they’re more than willing to be the food taster, filtering out what’s going to kill us and feeding us what will give us life (provided, of course, that the life-givers pay the monthly).

And let me say this: the concept of discovering that album that wakes you back up to the beauty of being alive — that’s a very, very appetizing dish.  Part of what’s happened since we’ve gotten our iPods and discovered the shuffle feature is that we are now completely in control of our musical surroundings.  iPods, by virtue of their warehouse-like capacity, afford us the opportunity to search search search until we figure out what the exact right song for the moment is.  And by the time we find it, the moment changes.  So we search again.

This isn’t the way that music is supposed to work.  We don’t make it our servant.  We don’t make it bend to our situations.  We don’t appreciate it as anything other than what it is.  At least, we shouldn’t do these things.

Hear me right: I want music to matter to me.  But I’ve found that the more of it I consume, the more I center my life around it, the less it seems to matter.  Music was never meant to be consumed like a bag of chips.  Good music, music that actually matters, is the outpouring of someone’s inner being, the overflow of who they are, and when we sit still and actually let them speak to us (whether we realize that that’s what we’re doing or not), that art will touch us, and often in profound ways.  This is why PR guys and girls try to make us believe that this record will change our lives, and why every record review you read alternates between apathy and exuberance; we’re either sick to death of being let down or we’re still trying to convince ourselves that everything is fine.

That said, there are times when the light breaks through.  You can trust that when my review of Stay Positive, the new record from the Hold Steady, appears on Aquarium Drunkard, the glow will be authentic.  I don’t love the way I feel when I listen to the National, but I do love that band.  I’m finding comfort in the music that I can lose myself in, music that I don’t understand and so I stop trying to understand it; hence my adoration of Panda Bear / Animal Collective.  Maybe that’s what it boils down to, that I’ve (we’ve, whatevs) become too analytical and are afraid to stop thinking and just feel a record.  When explaining music is what you do all day long, letting go of that is a tough thing to do; it’s why it took me forever to appreciate the National and it’s why bands that are immediately disarming (Animal Collective) have a high critical following (the fact that they do that while making great music is another reason, hah).

So, anyway, in the name of keeping things interesting, who are some of the bands that you connect to?  Who do you get lost in?  (In whom do you get lost?)

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lizistwentythree: toomuchawesome: “The anguish that most of us have observed for some time now has been caused not by the fact that the South is alienated from the rest of the country, but by the fact that it is not alienated from the rest of the country, but by the fact that it is not alienated enough, that every day we are getting more and more like the rest of the country, that we are being forced out, not only of our many sins but of our few virtues. This may be unholy anguish but it is anguish nevertheless.” -Flannery O’Connor, “The Fiction Writer and His Country” Serious anguish. Amen.  Though I have to wonder if the rest of the country feels the same way.  Are Washingtonians upset because they’re shifting more towards a global American culture?  Californians?  (Well, maybe not Californians…btw, how is it that they’ve been able to keep doing things their own way?). At the risk of sounding like a Civil War apologist (I’m not I’m not I’m not), does this play down to an issue of states’ rights?  Or are we just giving in to some sort of unspoken outside pressure to homogenize our culture as Southerners?  Or are we embarassed by the way the rest of the country looks at us?  I think that one of the most unfortunate side effects of being Southern is the ingrained inferiority complex.  It’s the assumption that everyone thinks we’re backwards that makes us go crazy down here (down there?  oh no…)

lizistwentythree:

toomuchawesome:

“The anguish that most of us have observed for some time now has been caused not by the fact that the South is alienated from the rest of the country, but by the fact that it is not alienated from the rest of the country, but by the fact that it is not alienated enough, that every day we are getting more and more like the rest of the country, that we are being forced out, not only of our many sins but of our few virtues. This may be unholy anguish but it is anguish nevertheless.”

-Flannery O’Connor, “The Fiction Writer and His Country”

Serious anguish.

Amen.  Though I have to wonder if the rest of the country feels the same way.  Are Washingtonians upset because they’re shifting more towards a global American culture?  Californians?  (Well, maybe not Californians…btw, how is it that they’ve been able to keep doing things their own way?).

At the risk of sounding like a Civil War apologist (I’m not I’m not I’m not), does this play down to an issue of states’ rights?  Or are we just giving in to some sort of unspoken outside pressure to homogenize our culture as Southerners?  Or are we embarassed by the way the rest of the country looks at us?  I think that one of the most unfortunate side effects of being Southern is the ingrained inferiority complex.  It’s the assumption that everyone thinks we’re backwards that makes us go crazy down here (down there?  oh no…)

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